Song About Freight Train Wisconsin Take Me Back Again
| "Trouble in Heed" | |
|---|---|
 Sheet music encompass | |
| Single by Thelma La Vizzo with Richard M. Jones | |
| A-side | "Fire in the Mount" |
| Released | 1924 (1924) |
| Recorded | May 15, 1924 |
| Genre | Archetype female blues |
| Length | 2:56 |
| Label | Paramount |
| Songwriter(s) | Richard Thou. Jones |
"Trouble in Mind" is a vaudeville blues-style song written by jazz pianist Richard M. Jones. Singer Thelma La Vizzo with Jones on piano outset recorded it in 1924 and in 1926, Bertha "Chippie" Hill popularized the tune with her recording with Jones and trumpeter Louis Armstrong. The song became an early blues standard, with numerous renditions by a diverseness of musicians in a variety of styles.[1]
Lyrics and composition [edit]
"Trouble in Mind" has been chosen "one of the indelible anthems of the blues every bit promise for the time to come even in the darkest of times".[ii] In many versions, new lyrics are added. Still, most unremarkably include the well-known poesy:
Trouble in listen, I'm blueish
Just I won't be blueish e'er
'Cause I know the sun'southward gonna smoothen in my back door someday[iii]
The song has roots that pre-date dejection. Two spiritual songs from the 1800s have been identified every bit antecedents: "I'thou a-Trouble in De Mind", published in the Slave Songs of the Us (1867);[four] and "I'chiliad Troubled in Mind", cited in The Story of the [Fisk University] Jubilee Singers and Their Songs (1880).[5] Other folk song collections from the early 1900s include similar titles, but the lyrics are not the same as those later used past Jones.[5]
Jones' lyrics deal with thoughts of suicide.[4] Early recordings include the verses:
Sometimes I experience similar livin'
Sometimes I experience like dyin'...
I'm gonna lay my head
On the lonesome railroad line
Allow the 2:xix
Satisfy my mind
Despite the sense of pain and despair, music writers such as Adam Gussow and Paul Ackerman point to the hope engendered past the refrain "I won't be blue always... For the dominicus will smooth in my back door some day".[6] [7] Blues historian William Barlow calls the song "the anthem of the archetype dejection genre"[four] and writer Steve Sullivan describes information technology as "i of the most indelible dejection compositions of the 1920s.[5]
Musically, the song is an eight-bar dejection, used with variations in other early archetype female dejection songs, such as "Ain't Nobody's Business organization" (written past Porter Grainger and Everett Robbins in 1922) and "Nobody Knows Y'all When You're Down and Out" (Jimmy Cox, 1923).[8] One music transcription shows an eight-bar chord progression in the cardinal of 1000 major in common or 4/4 time at a slow tempo:[ix]
| I | Vseven | I7 | Four– ♯ Iv o | I | two7–5vii | I–I7 | iiseven–V7 |
Another has a simplified version with the lyrics: "Trouble in [I] mind. I'm [V] blueish. Simply I [I] won't be blue al- [Iv] ways, 'crusade the [I] sun's gonna polish in [V] my backdoor some- [I] day".[10]
Recordings [edit]
Dejection historian Gerard Herzhaft identifies "Trouble in Mind" as a blues standard "that has been recorded over and over over again in jazz, blues, and pop".[1] In 1924, Thelma La Vizzo was the first to record the tune, with Jones accompanying her on piano.[3] Two years later, Bertha "Chippie" Loma recorded information technology, with Jones and Louis Armstrong on cornet (sometimes identified as trumpet).[5] In a review of Hill's 1926 rendition by early on jazz critic Rudi Blesh, he noted "poetically and musically it is of rare lodge... The voice sings in high register, except for the downward cadences which end the phrases; the taut, muted trumpet is very blue in tone; underneath, the piano is unproblematic and rich".[five]
When Georgia White recorded the song in 1936, she too was accompanied by Jones on piano, and by a guitarist and bassist.[1] According to Big Bill Broonzy, her performances starting time in 1929 with Jimmie Noone helped to popularize the piece long before she recorded information technology.[5] [a]
In 1952, Dinah Washington recorded "Problem in Mind", which was released shortly after her rendition of "Bike of Fortune".[12] Hers was the first recording of the song to reach the record charts, peaking at number four on the Billboard Rhythm & Blues nautical chart.[xiii] Reviews from 1952 welcomed her render to a blues singing-style after popular-oriented songs, such equally "Wheel of Fortune".[fourteen]
Nina Simone also scored a hit with it in 1961, when her recording reached numbers 11 on the R&B chart and 92 on the Billboard Hot 100 singles chart.[xv] Several additional recordings by Simone are in release, including a live performance from the 1960 Newport Jazz Festival (Nina Simone at Newport) and a more than intimate small-combo studio version from 1965 (Pastel Dejection).[16] In a review of the 1965 Antibes-Juan-les-Pins Jazz Festival in France, Billboard noted her performance of "Trouble in Mind" every bit "the blues at its most compelling and featured such unorthodox lyrical variations equally 'Gonna permit the two:19 train and barbiturates ease my troubled listen'".[17]
In 2020, the Blues Foundation inducted Hill's rendition of "Problem in Mind" into the Blues Hall of Fame as a "Archetype of Blues Recording".[2]
See also [edit]
- List of train songs
References [edit]
Footnotes
- ^ Broonzy recorded the song several times and a solo performance with vocal and guitar is included on Trouble in Mind (2000), a collection of some of his 1956–1957 recordings by Smithsonian Folkways.[11]
Citations
- ^ a b c Herzhaft 1992, p. 476.
- ^ a b "2020 Hall of Fame Inductees: "Trouble in Mind" – Bertha "Chippie" Hill (OKeh, 1926)". The Blues Foundation. December 9, 2019. Retrieved March fifteen, 2020.
- ^ a b Doll 2017, p. 178.
- ^ a b c Gussow 2010, p. i.
- ^ a b c d e f Sullivan 2017, p. 60.
- ^ Gussow 2010, pp. 1–2.
- ^ Ackerman 1959, p. 26.
- ^ Hal Leonard 1995, pp. 160–161, 210–212.
- ^ Hal Leonard 1995, pp. 224–225.
- ^ Doll 2017, p. 60.
- ^ Unterberger, Richie. "Large Bill Broonzy: Trouble in Mind – Review". AllMusic . Retrieved May 11, 2018.
- ^ Whitburn 1988, p. 433.
- ^ Whitburn 1988, pp. 563, 433.
- ^ Cohodas 2004, p. 135.
- ^ Whitburn 1988, p. 375.
- ^ Calorie-free 2016, eBook.
- ^ Billboard 1965, p. 24.
Sources
- Ackerman, Paul (June 29, 1959). "Jazz Class Developed from Many, Varied Influences". Billboard. Vol. 71, no. 26. ISSN 0006-2510.
- Billboard (August 14, 1965). "Gospel Singer the Rage at Antibes". Billboard. Vol. 77, no. 33. ISSN 0006-2510.
- Cohodas, Nadine (2004). Queen: The Life and Music of Dinah Washington. New York City: Pantheon Books. ISBN0-375-42148-three.
- Doll, Christopher (2017). Hearing Harmony: Toward a Tonal Theory for the Stone Era. Ann Arbor, Michigan: University of Michigan Printing. ISBN978-0472053520.
- Gussow, Adam (2010). Seems Similar Murder Hither: Southern Violence and the Blues Tradition. University of Chicago Press. ISBN978-0226311005.
- Hal Leonard (1995). "Problem in Mind". The Blues. Milwaukee, Wisconsin: Hal Leonard. ISBN0-79355-259-1.
- Herzhaft, Gerard (1992). "Trouble in Heed". Encyclopedia of the Blues. Fayetteville, Arkansas: University of Arkansas Printing. ISBN1-55728-252-8.
- Light, Alan (2016). What Happened, Miss Simone?: A Biography. New York City: Crown Archetype. ISBN978-1101904886.
- Rye, Howard (2006). "Georgia White". In Komara, Edward (ed.). Encyclopedia of the Blues. New York City: Routledge. ISBN978-0-415-92699-vii.
- Sullivan, Steve (2017). "Trouble in Mind (1926)—Bertha "Chippie" Hill". Encyclopedia of Great Popular Song Recordings. Encyclopedia of Neat Popular Song Recordings, Book 3. Lanham, Maryland: Rowman & Littlefield. ISBN978-1442254497.
- Whitburn, Joel (1988). Acme R&B Singles 1942–1988. Menomonee Falls, Wisconsin: Record Research. ISBN0-89820-068-seven.
Source: https://en.wikipedia.org/wiki/Trouble_in_Mind_%28song%29
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